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The 8 Best DI’s for Recording
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What is DI Box?
A DI box is a utility tool that corrects signal level and impedance to make audio gear compatible.
The term DI stands for Direct Injection. The first DIs were built to allow engineers to plug electric basses and guitars directly into the studio mixing console instead of mic’ing an amplifier.
DIs are commonly used for those instruments as well as synthesizers, drum machines and other gear with ¼” outputs.
Using a DI you can plug these sources into an XLR microphone preamp input like those you might find on a mixer or audio interface.
DI boxes contain a transformer that electrically isolates the source from its destination. That’s why DI boxes are frequently used to address signal issues like ground loops.
Why do I need it?
Not all the audio sources in your home studio carry the same type of signal.
There are different connector types, different signal levels and different impedances.
Your signal fidelity can get worse if some of these qualities are mismatched.
One of the most common examples is when you connect ¼” instruments such as electric guitar and bass to a mic preamp or audio interface.
The guitar signal coming from the pickups is a high impedance, instrument level signal.
The mic preamp is expecting to see a low impedance, mic level signal.
Even if you converted the ¼” and XLR connectors with an adapter, the signal and impedance mismatch would cause poor sound through the preamp.
To fix it you’ll need a DI box to manage the signal level and impedance conversion so that the mic preamp works properly.
The same goes for most types of gear with ¼” outputs like synths, drum machines and samplers.
Hot tip: Some hardware has ¼” outputs that are strong enough to be plugged directly into a mixer at line level. Gear like this doesn’t strictly need a DI as long as the destination has line level inputs. However, you may find using a DI box to pass the signal through the mic preamp sounds more pleasing.
The 8 best DIs for recording
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
Active vs. Passive DI boxes
There are two main types of DI boxes—active and passive.
Passive DI boxes don’t require a power supply to run. The transformer inside performs the electrical operations that convert the signal.
DIs work well for most applications and are sometimes more affordable than their active counterparts.
They can also be used with extremely strong signals since there’s no electrical circuitry to overload.
Active DIs use phantom power to run an electrical buffer circuit that makes the signal stronger and helps it maintain fidelity.
These are a good choice for low level instruments and long cable runs.
Experts recommendation
Not all the audio sources in your home studio carry the same type of signal. There are different connector types, different signal levels and different impedances. Your signal fidelity can get worse if some of these qualities are mismatched. One of the most common examples is when you connect ¼” instruments such as electric guitar and bass to a mic preamp or audio interface.
The guitar signal coming from the pickups is a high impedance, instrument level signal. The mic preamp is expecting to see a low impedance, mic level signal. Even if you converted the ¼” and XLR connectors with an adapter, the signal and impedance mismatch would cause poor sound through the preamp. To fix it you’ll need a DI box to manage the signal level and impedance conversion so that the mic preamp works properly.
The same goes for most types of gear with ¼” outputs like synths, drum machines and samplers. Hot tip: Some hardware has ¼” outputs that are strong enough to be plugged directly into a mixer at line level. Gear like this doesn’t strictly need a DI as long as the destination has line level inputs. However, you may find using a DI box to pass the signal through the mic preamp sounds more pleasing.
The 8 best DIs for recording
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
There’s one brand that you’ll see in almost every discussion of DI boxes—Radial.
The Canadian manufacturer of stage and studio equipment builds some of the most popular choices for pro quality DIs.
Their flagship active DI model is the J48. It’s an excellent choice for almost any application, especially recording.
Active vs. Passive DI boxes
There are two main types of DI boxes—active and passive.
Passive DI boxes don’t require a power supply to run. The transformer inside performs the electrical operations that convert the signal.
DIs work well for most applications and are sometimes more affordable than their active counterparts.
They can also be used with extremely strong signals since there’s no electrical circuitry to overload.
Active DIs use phantom power to run an electrical buffer circuit that makes the signal stronger and helps it maintain fidelity.
These are a good choice for low level instruments and long cable runs.
Experts recommendation
There are two main types of DI boxes—active and passive. Passive DI boxes don’t require a power supply to run. The transformer inside performs the electrical operations that convert the signal.
DIs work well for most applications and are sometimes more affordable than their active counterparts. They can also be used with extremely strong signals since there’s no electrical circuitry to overload. Active DIs use phantom power to run an electrical buffer circuit that makes the signal stronger and helps it maintain fidelity. These are a good choice for low level instruments and long cable runs.
Experts recommendation
8 Unconventional Piano Sounds to Use in Your DAW
Today’s piano sounds are fresh, creative and versatile enough to work in many different genres. In this article I’m rounding up my top 8 picks for unique piano sounds to use in your production.
Spitfire LABS Soft Piano
Spitfire LABS is one of the best free VST plugins ever made. It’s a powerful virtual instrument platform with regular new releases of fantastic free content.
But the sound that put LABS on the map is Soft Piano. It’s a perfect take on the intimate tone of a piano muted with felts that’s commonly heard on modern film soundtracks.
SonicCouture Xtended Piano
This unique sample set of extended piano techniques includes unconventional playing methods such as bowing the strings, striking them with mallets and muting them to create harmonics.
If you’re looking to see just how far out you can get with your piano sounds, Xtended Piano should be your first stop.
Native Instruments THE GIANT
Sometimes the best way to push the boundaries is to go bigger.
That’s the idea behind maverick piano builder David Klavins’ 370i vertical piano.
With its strings extended to their full length in a single vertical span, the 370i boasts a soundboard roughly twice the size of standard concert grand.
The result is an enormous and commanding piano sound unlike anything else out there.
NI brings the sound of the 370i to your DAW with THE GIANT.
SonicCouture Hammersmith Pro
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Native Instruments Una Corda
In another sweep of design innovation, David Klavins envisioned this unique single-string piano design in collaboration with composer Nils Frahm.
The Una Corda has a much softer sound than a traditional piano due to its use of just one string per key.
It’s made softer still by a customizable felt layer for some of the lightest, most delicate piano sounds ever heard.
Spitfire Mrs Mills Piano
One of the most frequently recorded upright pianos is located in legendary Abbey Road Studios.
Known as Mrs Mills Piano for its use in the 60s and 70s by British pianist Gladys Mills, this Steinway Vertegrand features a bright metallic attack thanks to its lacquered hammers.
It’s a classic piano sound you might recognize from 60s pop records by The Beatles and The Zombies.
Wavefactory Old Tape Piano
Wavefactory’s Old Tape piano is a sampled piano instrument with a lo-fi twist.
Using a convincing simulation of tape noise, warble and filtering, Old Tape piano sounds like a dusty old cassette hidden away in the attack.
If you want instant lo-fi goodness in a playable piano sound, check out
Arturia Piano V
Sometimes the best way to push the boundaries is to go bigger.
That’s the idea behind maverick piano builder David Klavins’ 370i vertical piano.
With its strings extended to their full length in a single vertical span, the 370i boasts a soundboard roughly twice the size of standard concert grand.
The result is an enormous and commanding piano sound unlike anything else out there.
NI brings the sound of the 370i to your DAW with THE GIANT.
This unique sample set of extended piano techniques includes unconventional playing methods such as bowing the strings, striking them with mallets and muting them to create harmonics. If you’re looking to see just how far out you can get with your piano sounds, Xtended Piano should be your first stop.
Native Instruments THE GIANT
Sometimes the best way to push the boundaries is to go bigger.
That’s the idea behind maverick piano builder David Klavins’ 370i vertical piano.
With its strings extended to their full length in a single vertical span, the 370i boasts a soundboard roughly twice the size of standard concert grand.
The result is an enormous and commanding piano sound unlike anything else out there.
NI brings the sound of the 370i to your DAW with THE GIANT.
SonicCouture Hammersmith Pro
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Native Instruments Una Corda
In another sweep of design innovation, David Klavins envisioned this unique single-string piano design in collaboration with composer Nils Frahm.
The Una Corda has a much softer sound than a traditional piano due to its use of just one string per key.
It’s made softer still by a customizable felt layer for some of the lightest, most delicate piano sounds ever heard.
Spitfire Mrs Mills Piano
One of the most frequently recorded upright pianos is located in legendary Abbey Road Studios.
Known as Mrs Mills Piano for its use in the 60s and 70s by British pianist Gladys Mills, this Steinway Vertegrand features a bright metallic attack thanks to its lacquered hammers.
It’s a classic piano sound you might recognize from 60s pop records by The Beatles and The Zombies.
Wavefactory Old Tape Piano
Wavefactory’s Old Tape piano is a sampled piano instrument with a lo-fi twist.
Using a convincing simulation of tape noise, warble and filtering, Old Tape piano sounds like a dusty old cassette hidden away in the attack.
If you want instant lo-fi goodness in a playable piano sound, check out
Arturia Piano V
Sometimes the best way to push the boundaries is to go bigger.
That’s the idea behind maverick piano builder David Klavins’ 370i vertical piano.
With its strings extended to their full length in a single vertical span, the 370i boasts a soundboard roughly twice the size of standard concert grand.
The result is an enormous and commanding piano sound unlike anything else out there.
NI brings the sound of the 370i to your DAW with THE GIANT.
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Native Instruments Una Corda
In another sweep of design innovation, David Klavins envisioned this unique single-string piano design in collaboration with composer Nils Frahm.
The Una Corda has a much softer sound than a traditional piano due to its use of just one string per key.
It’s made softer still by a customizable felt layer for some of the lightest, most delicate piano sounds ever heard.
Spitfire Mrs Mills Piano
One of the most frequently recorded upright pianos is located in legendary Abbey Road Studios.
Known as Mrs Mills Piano for its use in the 60s and 70s by British pianist Gladys Mills, this Steinway Vertegrand features a bright metallic attack thanks to its lacquered hammers.
It’s a classic piano sound you might recognize from 60s pop records by The Beatles and The Zombies.
Wavefactory Old Tape Piano
Wavefactory’s Old Tape piano is a sampled piano instrument with a lo-fi twist.
Using a convincing simulation of tape noise, warble and filtering, Old Tape piano sounds like a dusty old cassette hidden away in the attack.
If you want instant lo-fi goodness in a playable piano sound, check out
Arturia Piano V
Sometimes the best way to push the boundaries is to go bigger.
That’s the idea behind maverick piano builder David Klavins’ 370i vertical piano.
With its strings extended to their full length in a single vertical span, the 370i boasts a soundboard roughly twice the size of standard concert grand.
The result is an enormous and commanding piano sound unlike anything else out there.
NI brings the sound of the 370i to your DAW with THE GIANT.
One of the most frequently recorded upright pianos is located in legendary Abbey Road Studios. Known as Mrs Mills Piano for its use in the 60s and 70s by British pianist Gladys Mills, this Steinway Vertegrand features a bright metallic attack thanks to its lacquered hammers. It’s a classic piano sound you might recognize from 60s pop records by The Beatles and The Zombies.
Wavefactory Old Tape Piano
Wavefactory’s Old Tape piano is a sampled piano instrument with a lo-fi twist.
Using a convincing simulation of tape noise, warble and filtering, Old Tape piano sounds like a dusty old cassette hidden away in the attack.
If you want instant lo-fi goodness in a playable piano sound, check out
Arturia Piano V
Sometimes the best way to push the boundaries is to go bigger.
That’s the idea behind maverick piano builder David Klavins’ 370i vertical piano.
With its strings extended to their full length in a single vertical span, the 370i boasts a soundboard roughly twice the size of standard concert grand.
The result is an enormous and commanding piano sound unlike anything else out there.
NI brings the sound of the 370i to your DAW with THE GIANT.
Sometimes the best way to push the boundaries is to go bigger. That’s the idea behind maverick piano builder David Klavins’ 370i vertical piano. With its strings extended to their full length in a single vertical span, the 370i boasts a soundboard roughly twice the size of standard concert grand. The result is an enormous and commanding piano sound unlike anything else out there. NI brings the sound of the 370i to your DAW with THE GIANT.
Audio File Formats: How to Choose the Right File Type
DI boxes contain a transformer that electrically isolates the source from its destination. That’s why DI boxes are frequently used to address signal issues like ground loops.
What are audio file formats?
Audio file formats are digital standards for storing audio information.
The raw data in a stream of audio from the analog-to-digital converter in your audio interface is encoded using a technique called PCM or pulse code modulation.
PCM audio needs to be organized into a file so you can work with it, or play it back in a system.
Different audio file formats use different containers and varying methods of data compression to organize the PCM stream.
Depending on which you choose, each format represents the same information in different storage sizes or quality levels.
In addition to that, some audio file formats carry metadata that supplies information about the file or its content.
Lossless vs. lossy audio files
The difference between the two has to do with data compression.
Data compression means making the files take up less space on a hard drive. It’s not the same as the dynamic range compression used in music production.
Some methods of data compression make the file smaller but still preserve 100% of the information in the raw audio stream. These are known as lossless compressed formats.
Other compression types work by eliminating data in the audio that doesn’t make a big impact on the sound. Some information is thrown away using this method, so these are known as lossy compressed formats.
Uncompressed audio formats
There are other audio file formats where no data compression is used. These are called uncompressed audio formats.
These file types act as a container for raw audio data without reducing its size or quality in any way.
These are the largest files to work with, but they provide the highest level of detail in the audio information.
Uncompressed audio files are the type most often used for recording and mixing music in a DAW.
Even so, uncompressed audio files also come in different quality levels.
These are based on the accuracy and precision with which the analog audio signal was converted to digital.
The higher the sample rate and bit depth used, the more information is captured in the conversion process.
Bit depth represents the precision of the AD/DA converter for measuring amplitude, or the volume level of the signal.
You can think of it like the number of tick marks on a ruler—the more closely spaced they are, the less often the measurement will fall in between the two marks.
Sample rate means the number of times the measurement is taken in a second. Higher sample rate means more individual measurements made.
These are the largest files to work with, but they provide the highest level of detail in the audio information.
Uncompressed audio files are the type most often used for recording and mixing music in a DAW.
Even so, uncompressed audio files also come in different quality levels.
The difference between the two has to do with data compression. Data compression means making the files take up less space on a hard drive. It’s not the same as the dynamic range compression used in music production.
Some methods of data compression make the file smaller but still preserve 100% of the information in the raw audio stream. These are known as lossless compressed formats. Other compression types work by eliminating data in the audio that doesn’t make a big impact on the sound. Some information is thrown away using this method, so these are known as lossy compressed formats.
Uncompressed audio formats
There are other audio file formats where no data compression is used. These are called uncompressed audio formats.
These file types act as a container for raw audio data without reducing its size or quality in any way.
These are the largest files to work with, but they provide the highest level of detail in the audio information.
Uncompressed audio files are the type most often used for recording and mixing music in a DAW.
Even so, uncompressed audio files also come in different quality levels.
These are based on the accuracy and precision with which the analog audio signal was converted to digital.
The higher the sample rate and bit depth used, the more information is captured in the conversion process.
Bit depth represents the precision of the AD/DA converter for measuring amplitude, or the volume level of the signal.
You can think of it like the number of tick marks on a ruler—the more closely spaced they are, the less often the measurement will fall in between the two marks.
Sample rate means the number of times the measurement is taken in a second. Higher sample rate means more individual measurements made.
These are the largest files to work with, but they provide the highest level of detail in the audio information.
Uncompressed audio files are the type most often used for recording and mixing music in a DAW.
Even so, uncompressed audio files also come in different quality levels.
Earworm: How to Write Hooks That Get Stuck in Your Head
I’m talking about the dreaded earworm. These are the irresistible melodies and musical figures that you can’t help but hum under your breath. But what is an earworm hook exactly? How do they work and how can you write one? In this article I’ll explain what an earworm is and six strategies to create your own. Let’s get started.
What is a hook?
A hook is a snippet of musical material that catches a listener’s attention and sticks in their memory after the song is over.
In popular music, the hook comes most often from the vocal melody. But hooks can appear in any musical shape or form.
A rhythm, a bassline, a chord progression or even a sample can be a hook in modern music.
Earworm hooks
An earworm is a slang term for the type of hook that seems to work its way deep into your brain and put down roots.
Strictly speaking, an earworm is a psychological phenomenon where a musical figure persists in the mind long after the listening experience is over.
An earworm is a psychological phenomenon where a musical figure persists in the mind long after the listening experience is over.
It’s a common occurrence that’s mostly harmless, but it can still cause frustration in severe cases.
Some listeners complain that earworm hooks are distracting and unwelcome, but most songwriters would be happy to write something with such a powerful effect.
In fact, writing hooks is a central part of a songwriter’s craft—especially for topliners and professional songwriters.
What makes a hook catchy?
Catchiness might be impossible to define.
If creating catchy hooks were a repeatable formula, it wouldn’t be hard to crack the top of the charts!
One reason why is because so many hooks arise from a process of trial and error. With a little luck and experimentation, a great hook might just land in your lap.
Repetitions
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Melodic structure
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Rhythmic patterns
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Lyrics
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Basslines
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Production elements
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Stuck in the Head
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
An earworm is a slang term for the type of hook that seems to work its way deep into your brain and put down roots. Strictly speaking, an earworm is a psychological phenomenon where a musical figure persists in the mind long after the listening experience is over.
An earworm is a psychological phenomenon where a musical figure persists in the mind long after the listening experience is over. It’s a common occurrence that’s mostly harmless, but it can still cause frustration in severe cases.
Some listeners complain that earworm hooks are distracting and unwelcome, but most songwriters would be happy to write something with such a powerful effect. In fact, writing hooks is a central part of a songwriter’s craft—especially for topliners and professional songwriters.
What makes a hook catchy?
Catchiness might be impossible to define.
If creating catchy hooks were a repeatable formula, it wouldn’t be hard to crack the top of the charts!
One reason why is because so many hooks arise from a process of trial and error. With a little luck and experimentation, a great hook might just land in your lap.
Repetitions
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Melodic structure
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Rhythmic patterns
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Lyrics
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Basslines
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Production elements
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Stuck in the Head
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Melodic structure
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Rhythmic patterns
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Lyrics
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Basslines
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Production elements
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Stuck in the Head
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Lyrics
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Basslines
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Production elements
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Stuck in the Head
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Production elements
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Stuck in the Head
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
Using a unique Steinway Model D fitted with MIDI integration, SonicCouture was able to capture incredibly precise dynamics by sending exact velocities per note—not something a human player could easily accomplish.
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